I. Works
A. Checklists
Box 1: Checklists of papers previously deposited:
DePauw University Archives
Center for the Study of Popular Culture, Bowling Green University, Bowling Green, Ohio
Archive of Contemporary History, University of Wyoming, Laramie WY
Checklist of donated books
Checklist of loaned materials
Deposit lists for papers in the Thomas Cooper Library, University of South Carolina
B. American Bicentennial Series a.k.a. Kent Family Chronicles
Box 1: The Bastard (v. I of series) - Notes and Correspondence
Box 2: The Rebels (v. II of series) - Notes and Correspondence
Box 3: The Seekers (v. III of series) - Notes and Correspondence
Box 4: The Furies (v. IV of series) - Notes and Correspondence
Box 5: The Titans (v. V of series) - Notes and Correspondence
Box 6: The Warriors (v. VI of series) - Notes and Correspondence
Box 7-8: The Lawless (v. VII of series) - Notes and Correspondence
Box 9: The Americans (v. VIII of series) - Notes and Correspondence
C. The North South Trilogy
Box 1: Heaven and Hell (v. III of series)
First draft screenplay (three two hour scripts) by Suzanne Clauser for
6 hour miniseries (David L. Wolper Productions-Warner Bros.-ABC, 1994)
Box 2: Heaven and Hell (v. III of series)
Revised version of the screenplay; either second or third draft
D. California Gold – Correspondence and Memos
Box 1
E. Homeland
Box 1: Script for Audio Abridgement, Bantam-Doubleday-Dell Audio,
recorded by Edward Hermann.
Publicity, correspondence, miscellaneous.
Box 2: Correspondence between John Jakes and Herman Gollob
First draft manuscript annotated by author (pink marker), editor
Herman Gollob (black lead pencil)
Book One: The Crowns (a.k.a. Homeland)
Book Two: The White City 1893
Box 3: First draft manuscript annotated by author (pink marker), editor
Herman Gollob (black lead pencil)
Book Three: The Bleeding City 1894
Book Four: Wild on the Levee 1895-1898
Box 4: First draft manuscript annotated by author (pink marker), editor
Herman Gollob (black lead pencil)
Book Five: Stars and stripes forever
Box 5: Final draft manuscript (production copy) annotated
-Stylesheet
-Part one: Berlin 1891-1892
-Part two: Steerage 1892
-Part three: Chicago 1892-1893
Box 6: Final draft manuscript (production copy) annotated
-Part four: Julie
-Part five: Pullman
Box 7: Final draft manuscript (production copy) annotated
-Part six: Levee 1895-1896
-Part seven: Flickers 1896-1898
Box 8: Final draft manuscript (production copy) annotated
-Part eight: Tampa 1898
-Part nine: War 1898
-Part ten: Homecoming 1900-1901
F. In the Big Country, edited by Bill Pronzini and Martin H. Greenberg
(Bantam Books, 1993) Mass market edition of The best western stories of John Jakes, Ohio University Press, 1991.
Box 1: Author’s original manuscript (production copy) of materials new to this edition: (1) Author’s foreword
(2) “Carolina Warpath” (novella)
G. American Dreams (Dutton)
Box 1: Version #1: “Limelight.” Not completed.
Box 2: Verson #2: “Movies.” Annotated by author.
Part one: Nickelodeons (1912-1913)
Part two: Hollywood (1914)
Part three : Battlefield (1915-1917)
Box 3: Version #3: Rewritten from editorial notes by freelance editor Genevieve
Young
Part one: Family
Part two: Theatricals
Part three: Detroit
Part four: Pictures
Box 4: Version #3: Rewritten from editorial notes by freelance editor Genevieve
Young
Part five: Movies
Part six: War
Part seven: Battlefield
Boxes 5-6: Version #4: Submitted for publication to various houses May-June 1997 with annotations
Box 5: Part one: Family
Part two: Theatricals
Part three: Detroit
Part four: Pictures
Box 6: Part five: Movies
Part six: War
Part seven: Battlefield
Boxes 7-8: Version #5 : Heavily annotated by Danielle Perez, editor at Dutton Signet. Revisions consist of heavy cutting, Writing of several new chapters and reorganization of the entire book.
Box 7: Part one: Family 1906
Part two: Theatricals 1907-1908
Part three: Detroit 1908-1909
Part four: Pictures 1909-1910
Box 8: Part five: Movies 1911-1912
Part six: War 1913-1914
Part seven: Battlefield 1915
Boxes 9-10: Original production manuscript
Box 9: Part one: Dreamers
Part two: Striving
Box 9: Part three: Pictures
Box 10: Part four: California
Part five: Nightmare
Part six: Battlefield
Afterword
Boxes 11-12: Final Version printed from diskettes in WordPerfect 6.1*
Box 11: Title page – p. 404
Box 12: p. 401-p. 747
H. On Secret Service : a novel (Dutton)
Box 1: First concept notes, 1997 and related material including miscellaneous correspondence
Box 2: Author’s final paper draft- with manuscript annotations
Box 3: Author’s revision “Pages and publisher’s copy editing instructions,” 14 September 1999.
Box 4: First draft (final) pages 1-303 & 351-599, from diskettes in WordPerfect 7 printed from ver. 8. July 17, 2001*
Box 5: Revision p. 1-300*
Box 6: Revision p. 301-600*
Box 7: Revision #2 p. 1-300*
Box 8: Revision #2 p. 301-598*
Box 9: First draft (final) p. 1-303*
Box 10: First draft (final) p. 301-600, includes partial afterword*
Box 11-12: Final mss.
I. Charleston: a novel (Dutton)
Box 1-2: Research notes, outlines, drafts, fragments
Box 3: Simon & Schuster Audio script, with related correspondence and notes
Box 4-5: Original setting typescripts
Box 6-8: Final drafts
J. Savannah, or a gift for Mr. Lincoln (Dutton)
Box 1: Script for audio abridgement
Box 2: Outline; Research material
Box 3: Two typescripts with holograph amendations, 314 and 318 p. respectively
Box 4: Typescript, 320 p.; Page proof with amendations, 292 p.
K. The Gods of Newport (Dutton)
Box 1: Script for audio abridgement
Box 2: Outline and related correspondence
Box 3: First version, notes, incomplete and finished ms.
Box 4: Revised final ms.
L. Miscellaneous works
Box 1: “The Delicate Age: A Musical Revue,” music by Phil Davis and Bob Kuenzli; lyrics by Paisely Harwood, John Jakes, and Bob Zemon, music CD
featuring the selections for which John Jakes wrote the lyrics and program.
“The Delicate Age” was originally produced at DePauw University, Spring 1952
By Sigma Delta Chi, the professional journalism fraternity. With accompanying TLS to Patrick Scott dated July 22, 2003
“Mercy at Gettysburg,” copy, 9 p.; TLS to Patrick Scott dated June 20, 2000 about the commissioned work
II. General Correspondence
Box 1:
A. Matthew J. Bruccoli
-Typed postcards dated 1/30/84, 3/31/84, 1/30/85
-TLS dated 1/22/85
-Copy of TLS to Frank and Mike dated Nov. 11, 1992, Copy of letter from JJ to his literary executors informing them of His deed of gift to the Thomas Cooper Library. Typed and signed note on “Post-It” to MJB dated Nov. 11, 1992
- TLS dated Jan. 17, 2001 re: A&E Gatsby
B. George Terry
- Christmas card, 1999
-Typed postcard dated May 26, 1999
C. Letter to John Jakes from a fan of Kent Family saga, dated Sept. 28, 1993
III. Miscellaneous
Box 1:
A. Narrator’s annotated copy of score of Aaron Copeland’s A Lincoln Portrait,
Which was performed by the Hilton Head Orchestra and narrated by John Jakes, March 13, 1993; with program of the Hilton Head Orchestra for the March 13, 1993 performance.
B. Remarks made by John Jakes to the Thomas Cooper Society, January 10,
2002
C. Videocassette of 8/23/52 episdoe of John Jakes’ appearance on
“Beat the Clock,” signed and dated by Jakes.
D. Program from “An Evening with Lou and Beth Holtz hosted by the University
Libraries,” Friday, January 23, 2004, 6:30 p.m., Thomas Cooper Library,
Graniteville Room.
Introduction | Chronology | Finding List | Administrative Information | The John Jakes Website





This library is a congressionaly designated depository for U.S. government documents. Public access to the government documents collections is guaranteed by public law.