Roman Vishniac: The Subject is Nature

About the Collection
Roman Vishniac's corpus is truly diverse and reflects the workings of a complex human being who saw the world in ways not typical of his peers. Born in Pavlavosk Russia in 1897, Vishniac pursued studies in biology, zoology and oriental art. As a young man his interest in microscopes and photography led to his contributions to the early development of microphotography. In 1920 he immigrated to Berlin where he became an avid amateur photographer and continued his biological studies through the microscope.

Vishniac emigrated in 1940 and arrived in the US in 1941, settling in New York City. From there he pursued the advancement of micro-cinematography and photography bringing both a technical and an aesthetic expertise to his work. His scientific imaging proved highly influential and became the basis for several large educational film productions, chief among them the Living Biology series sponsored by the National Science Foundation. He also taught and lectured widely, and his microphotographs appeared in leading magazines including LIFE and Omni. He died on January 27, 1990.

To the non-scientific world Vishniac is remembered for his telling photo-documentary of Eastern European Jewish life in the years prior to the World War II. Selections from this work have been printed in A Vanished World [1986]; To Give Them Light [1995]; and Children of a Vanished World [1999].

For more information about the Roman Vishniac Film Collection see the finding aid.

Acknowledgements
This project could not have been completed without the help of Greg Wilsbacher from Moving Image Research Collections, Tony Branch of the Systems Department, and Kate Boyd, Lauren Glaettli (2005, MLIS Library Science), Lisa Ressener (2006, MLIS Library Science), and Laura Coleman (2006, MLIS Library Science) from the Digital Activities Department.

Creating the Digital Collection
In the summer of 2005 Lauren Glaettli processed the transparencies and organized them into new preservation sleeves and boxes. She then scanned each image and created a metadata Microsoft excel form. Lisa Ressener finished the scanning that fall and Laura Coleman created a home page for the collection. Kate loaded the collection and homepage.


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